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Orlando Schwerdt
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Justin Kurzel
country=France
Reviews=True History of the Kelly Gang is a movie starring George MacKay, Ben Corbett, and Orlando Schwerdt. Based on Peter Carey"s novel. The story of Australian bushranger Ned Kelly and his gang as they flee from authorities during the
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There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on April 24, 2020 Verified Purchase Terrible movie. I tried three different times to watch it and never made it completely through. Poor attempt at making an “arty” movie. I hate to be harsh, but this is just unwatchable drivel. Reviewed in the United States on April 25, 2020 Verified Purchase Thought this was a movie that started Russell Crowe.... I couldn’t finish watching it even though I kept trying! 5. 99 less and time I can’t get back, with a movie that I just couldn’t invest in. “The trailer is miss leading “ Reviewed in the United States on April 27, 2020 Verified Purchase So interesting and visually stunning. It"s pretty graphic but not unbearable by any means. I"ve never seen a movie like this before. George Mackay is such a great actor it"s insane and all the other actors are amazing and super talented. I didn"t know anything about Australia"s history or folklore before watching this but I understand that at the beginning of the movie it says nothing you are about to see it true. Still based on Ned Kelly though, just not a historical retelling of exact events. Also watching some of the interviews, it"s cool to learn that the actors improvised some parts and it was a very immersive experience for them. You can definitely tell through watching this that they really embody those characters. Reviewed in the United States on April 26, 2020 Verified Purchase Humnan and Russell Crowe are in the movie for 5 minutes max. Lots of Crap content - men in dresses, etc. Script is hard to follow with all the wiggy stuff.. Reviewed in the United States on April 27, 2020 Verified Purchase What is most enjoyable about this film to me is that it"s not just a retelling of a story we all have heard a hundred times. It has its own voice and uniqueness. The look of this film is incredible, every scene is visually quite striking. That said, It"s not for everyone. If you are just looking for a shoot "em up kinda movie this is not it. George Mackay"s performance is incredible in this also, he brings a really raw and feral energy to his Kelly performance. I can see him having a career much like Daniel Day Lewis in the near future. But hopefully he does not retire as early as Lewis did. Reviewed in the United States on April 25, 2020 Verified Purchase "True History Of The Kelly Gang" directed by Justin Kurzel is a dynamite riff on the legendary Ned Kelly. It has the raw energy of a Clash song. A cinematic fever dream. Reviewed in the United States on May 8, 2020 Verified Purchase Yeah, it"s violent and may not be very faithful to the Ned Kelly story, how would I or anyone know. He"s an icon because of Australia"s brutal history and his terrible life. Rebel with a cause, who knows, but he suits Australia"s backstory. Good on ya, mates Reviewed in the United States on May 21, 2020 Verified Purchase Okay movie at best. George Mackay is great upcoming actor but I found the movie a bit boring and graphically unpleasing. Sure it"s based on true events but it focused a lot on what a whore his mother was and the God aweful scenery. His gang just kinda happens without much background. A masterpiece? Hum, that"s very debatable. The movie was title as the true history of the Kelly gang but mostly focused on Ned and upbringing.
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True History of the Kelly Gang Watch movie maker. At the beginning of “True History of the Kelly Gang, ” the young Ned Kelly (Orlando Schwerdt) peers into a hut through a window and spies his mother, a prostitute, servicing one of her regular johns. Near the end of the movie, and of his own short, storied life, the fully grown Kelly (George MacKay) stares out through the slit in his tank-like iron helmet, watching the advancing soldiers who will soon bring him to a kind of justice. Sex and death, boyhood and manhood: In between these two visually linked bookends, Kelly seems to exist at a wretched remove from life’s bounty, forever flailing at something that sits tantalizingly out of reach. Australian director Justin Kurzel occasionally offers you a glimpse of that something: It might be a lovely interlude in which Ned reads a snippet of poetry to his friend Joe Byrne (Sean Keenan) or a fleeting moment of tenderness with his sweetheart, Mary Hearn (Thomasin McKenzie). But these are fugitive intimacies, and for Ned, there is no real escape from his first and most ferocious love: his mother, Ellen (Essie Davis, “The Babadook”), who confers on him a singularly cruel destiny. “My Ned loves me, ” she murmurs, a declaration of ownership that the extraordinary Davis infuses with pride, contempt and a flicker of near-Oedipal lust. And there are worse ways to think of this movie than as a Freudian spin on a folk legend. Freud would certainly have some thoughts on the story’s most outré invention, which also conjures its most resonant image: a man riding a horse while wearing a red gown, streaking like a ball of fire across a cold gray landscape. The real-life Kelly may have been famed for his homemade armor, but for this one and his gang, women’s dresses provide their own form of protection: “If you wear a frock to a fight, they’ll think you’re crazy, ” one of them reasons, “and nothing scares a man like crazy. ” “True History of the Kelly Gang, ” for its part, strikes just the right balance of scary and crazy, and it subjects both to an impressive measure of discipline. Adapted from Peter Carey’s Booker Prize-winning 2000 novel, this is an artful, often gripping revisionist portrait of the 19th-century outlaw often regarded as Australia’s answer to Jesse James. Its sympathetic reading of a notorious bank robber and cop killer is not in itself anything new: Kelly has long been mythologized in books, plays, songs and movies, which often frame his criminal exploits as a matter of principled rebellion against the tyranny of English rule. Orlando Schwerdt and Essie Davis in the movie “True History of the Kelly Gang. ” (IFC Films) The difference lies in the boldness of the execution. The none-too-memorable 1970 film “Ned Kelly” starred Mick Jagger, but this new movie is the one whose sensibility feels authentically punk. Stripped down and glammed up by turns, awash in realistic blood and stagy strobe effects, it’s as tough and brutal as you might expect from Kurzel, whose “Macbeth” and “Assassin’s Creed” shared the same gaudily violent MO. But the director isn’t merely repeating himself. His filmmaking here exudes gravity and purpose, placing the book’s gnarled period vernacular in counterpoint with his own muscular cinematic language. Screenwriter Shaun Gray (who also penned Kurzel’s grimly accomplished debut feature, “The Snowtown Murders”) frames the story around a series of letters Ned is seen scribbling by firelight, recounting his life and justifying his actions to his unseen child. That Kelly is not known to have fathered any children is one of many clues that “True History” might be a misnomer. Like most good dramatists, Kurzel and Grant seem less concerned with strict factual accuracy than with psychological plausibility. Rather than offering up another well-traveled biographical formula, they want to plunge deeper and darker, to allow the wild, untamed perversity at the story’s edges to flourish and grow toward the middle. To return to the Oedipal theme: The first of the movie’s three acts, devoted to Ned’s impoverished upbringing in a scorched-earth backwoods, introduces not just an all-consuming mother but also a succession of dubious father figures. There is Ned’s biological “da, ” Red Kelly (Ben Corbett), an Irish-born convict who dies early on, tormented and humiliated along the way by an English sergeant, O’Neil (Charlie Hunnam), who regularly calls on Ellen for sexual favors. Ned gets his shot at revenge against O’Neil in a scene that plays like an unnerving castration fantasy, egged on by Harry Power (a superb Russell Crowe), the famous bushranger who takes the boy under wing. But Ned’s apprenticeship does not go well, and Harry’s influence leaves its own ugly scars. The remarkable young Schwerdt, with his blond locks and haunted eyes, makes a beautiful vision of corrupted innocence. Ned seethes at his mother, who betrayed him by selling him off to Harry, but he also inherits her bitter struggle against their British oppressors. The second act pointedly kicks off with a wild scene in which MacKay’s increasingly unhinged Ned, now a bare-knuckle boxer, stretches out his body before a Union Jack — that hated national symbol of an enemy with many faces, all of them loathsome. Russell Crowe in the movie “True History of the Kelly Gang. ” (IFC Films) But not necessarily unattractive. Enter a formidable new nemesis, Constable Alex Fitzpatrick (a dangerously sexy Nicholas Hoult), whose initial meeting with Ned plays like both a confrontation and a seduction. Sexual desire and blackmail are among the many weapons the constable proves willing to use as he begins a sadistic campaign of persecution against Ned’s loved ones, including his siblings Dan (Earl Cave) and Kate (Josephine Blazier), and of course the indomitable Ma Kelly, asserting herself to the end as this family’s dark heart and soul. Davis and Hoult, among others in the fine ensemble, give such sharply etched performances that they run the risk of overshadowing their fine star. I mention this as more of an observation than a criticism. MacKay, last seen as the quietly heroic British soldier in “1917, ” has a gift for taciturn reserve, as well as a tendency to deflect rather than inhale the camera’s gaze. His casting shrewdly reinforces the movie’s conception of Ned as a reactive, contemplative figure, someone who has absorbed one blow after another and now assumes the roles of gang leader and familial protector with more obligation than glee. Even when he storms and rages like a madman, he suggests a man who hasn’t chased after his grim calling so much as had it foisted upon him. The movie pulls us in close to Ned Kelly — we smell his fear and share in his exhilaration — but it also allows him, and us, a crucial measure of distance. That distance often manifests itself in Kurzel’s formal and structural choices, from the title cards that separate the movie’s three acts to the occasional use of strobe effects and spare, theatrical backdrops, conjuring the sense of a hellish Brechtian rave. Even the frenzied strings of the music (composed by the director’s brother, Jed Kurzel) serve to underscore this movie’s sharpest insight: A measure of artifice can offer the most direct path to the truth. ‘True History of the Kelly Gang’ Rating: R, for strong violence throughout, bloody images, pervasive language, sexual content and some nudity Running time: 2 hours, 4 minutes Playing: Available April 24 on VOD.
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True History of the Kelly Gang gives the bushranger Ned Kelly a chance to tell his own story in the form of a long letter to his daughter in San Francisco. Kelly’s father was a former convict, transported to Tasmania; Kelly has no idea what his father’s crime might have been. He met Kelly’s mother, Ellen, in a town called Donnybrook, and they determined to marry. Her family, the Quinns, were habitual criminals who constantly drew the attention of the police. Ellen Quinn was unaware that her husband was a former criminal, but the police knew, subjected his family to much attention, and attempted to blackmail Ellen for sexual favors. Kelly’s father is finally imprisoned when he takes the blame for young Kelly’s theft and butchering of a cow, although he is in fact prosecuted for removing a brand from the hide. He is released as a favor after Kelly saves a local man’s son from drowning, but he is a broken man and dies shortly after. At twelve, Kelly finds himself the man of the family and struggles to lead a law-abiding life through farming and breaking horses. His mother, meanwhile, opens a drinking den and, it is suggested, also works as a prostitute. The family moves around, supported by the extended Quinn family, finally settling in the Glenrowan area, where they have bought some land and become “selectors, ” or settlers. However, they live in great poverty and remain targets for the local police. Young Ned is temporarily apprenticed to the bushranger Harry Power and is present when a number of crimes are committed. He serves several terms in prison for alleged cattle-rustling and other crimes. The final period of his short but tumultuous life begins with an incident on the family property, when a policeman, Fitzpatrick, claims he was injured in a gunfight with members of the Kelly family. The Kelly family claim Fitzpatrick was knocked to the ground when he attempted to proposition Ned’s sister Kate. Ned’s mother is imprisoned, but Ned and his brother Dan go into hiding, where they are joined by two friends. The police determine to track down the Kelly gang. Ned and his friends come across a group of police officers at Stringybark Creek, whom they disarm, killing one policeman, and then wait for the others to return. When they do, although one policeman proposes that the police should surrender, the others refuse, and there is a shootout in which all of the policemen are killed. The Kelly gang then carry out a series of audacious bank raids, taking hostages but killing no one. They are finally betrayed by one of their friends when they arrive in Glenrowan. Knowing that a trainload of policemen is on its way to the town, the gang take hostages and pull up rail tracks in order to cause a train crash. Ned Kelly’s letter to his daughter ceases at this point, and his story is supplemented by a third-party account of the siege in which the Kelly Gang, all except Ned, are killed, and an account of Ned Kelly’s hanging. Throughout the narrative, Kelly is desperate to ensure that his daughter knows the truth about her father, and he attempts to justify his actions, as he did in the Jerilderie letter, by showing that the police and the authorities in Victoria treated the colonists unfairly and with great severity.
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